An elision is the removal of an unstressed syllable, consonants, or letters from a word or phrase, for the purpose of decreasing the number of letters or syllables when mixing words together. The missing letter is replaced by an apostrophe. Generally, the middle or end letter or syllable is eliminated, or two words are blended together, and an apostrophe is inserted.
Difference Between Contraction and Elision
By merely looking at contraction and elision examples, one would think the two are the same. However, there is a slight difference between them. Contraction is a more general term referring to the combination of two words to form a shorter word. For instance, can’t is a contraction of “can” + “not,” which is a combination of two words. On the other hand, elision is a specific term. It is the omission of sounds, syllables, or phrases, and replacing them with an apostrophe. For instance, ne’er is an elided form of “never.” Similarly, gonna is an elision of the phrase “going to.”
Examples of Elision
For example, the contraction “to” which replaces “the” after the elision of the letter “e”.
Another example is “de + el” which is replaced by “del”
Sometimes it is used in the sense of ellipsis, which is the suppression, usually because it is understood, of a word or element of the sentence without losing its grammatical correction.
For example, the sentence “I live in the city and she in the country”, there is an elision of the verb “live” because it is understood.
Function of Elision
Usually used deliberately, elisions are often found in prose and poetry with the objective to continue a regular meter, or to create flow in iambic pentameter. Since a specific meter is required, elision is employed to achieve the set number of syllables necessary to create flow in a piece. Several other languages use elision to cut down the number of words or to improve the flow of speech.
Examples of Elision in Literature
Example #1: Rape of Lock (By Alexander Pope
“What dire offence from am’rous causes springs,
What mighty contests rise from trivial things,
I sing—This verse to Caryl, Muse! is due:
This, ev’n Belinda may vouchsafe to view…
Say what strange motive, Goddess! could compel
A well-bred lord t’assault a gentle belle?
O say what stranger cause, yet unexplor’d,
Could make a gentle belle reject a lord…
Sol thro’ white curtains shot a tim’rous ray,
And op’d those eyes that must eclipse the day;
Now lap-dogs give themselves the rousing shake…”
In this excerpt, Pope has elided several words, such as amorous, which is elided into “am’rous,” even into “ev’n,” unexplored into “unexplor’d,” and similarly, through and opened are shortened to maintain regular pentameter.
Example #2: Dr. Faustus (By Christopher Marlowe)
“Settle thy studies, Faustus, and begin
To sound the depth of that thou wilt profess:
Having commenc’d, be a divine in show,
Sweet Analytics, ’tis thou hast ravish’d me!
Is, to dispute well, logic’s chiefest end?
Then read no more; thou hast attain’d that end:
Be a physician, Faustus; heap up gold,
Why, Faustus, hast thou not attain’d that end?
Whereby whole cities have escap’d the plague,
And thousand desperate maladies been cur’d?
The god thou serv’st is thine own appetite,
Wherein is fix’d the love of Belzebub:
To him I’ll build an altar and a church…”
Elision is employed perfectly in Dr.Faustus. In this excerpt, the author has eliminated unstressed syllables in order to give a smooth flow to the speech. The elided words are marked in bold.